The central figure of the jazz and of Twentieth-century music, John Coltrane , in his unfortunately brief, dazzling artistic career, has not only put on display the prodigious talents of a musician (he is, for example, to have accompanied the tenor sax in modernity, and, after Sidney Bechet , for they have literally rewritten, along with Steve Lacy , the license fee for the use of the difficult soprano saxophone, even if the inesauste legions of his orecchianti represent one of the most glaring disasters of the improvisation of the post-war) and composer, but has been able to transcend, to the heroic, pure of its human qualities, the fence is sometimes feeble, and the snobs of improvised music to reach a wide audience, that that had concepts very scarce if not non-existent. Eventually become, with Louis Armstrong , Duke Ellington and Miles Davis , a master known to all of, or almost. Among the many colleagues who revere him, legions of unsuspecting, for example the fabulous Allman Brothers , the unforgettable greats of blues and southern rock.
John Coltrane unreleased out for its unique soundtrack, ‘Blue World’, 1964
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