With a Centrefold has adopted the Duisburg film week, from your many years of head: In the middle of the program booklet a two-page Black-and-White image of Werner Ruzicka. With the left shoulder to a pillar, a pair of sunglasses in the jacket pocket, leaning up, a cigarette, whose smoke obscured the face, literally.
James Dean on Times Square, but, of course, the hair!, a lot of Keith Richards: The Director of Festivals for artistic documentary film as a Pop icon, this is only possible in Duisburg, no, that was only in Duisburg, Germany, because with the end of the 42. Edition of the film week, the 34 is responsible for, has given Ruzicka this weekend, the line.
The Name of a successor has been circulating for months, but that he was not proclaimed until the end of this year’s film week officially irritated. It should be, so hear, in the form of alien, the Treaty has not yet been signed. Since Ruzicka’s farewell for about a year, would have been enough time for the formalities. The city of Duisburg risked about From this exceptional festival?
It would be a staggering Signal for the German-speaking documentary film, in television to the margins, if not, as in the case of Arte over into the abyss, was pushed. The film week is also the Waste of a great opportunity, however, is that because a new line could be used to explore what can be done with the unique concept of the festival still to do: A movie in a cinema, about six days together looking and in connection with the respective filmmakers and creators discussed in detail. It can remain so, it must remain so?
Duisburg rhetoric
artist’s don’t want to be praised or reprimanded, they want to be understood, cited Ruzicka Nietzsche in a just released interview tape “Duisburg gloomy castle”. On understanding in the sense of d’accord, the filmmakers on Ruzicka’s movie of the week could go – you do not need to hope to be described as such, since he ruled in the case of need for autocratic top – right. But on an absolute Seriously their perspectives, Favoribahis positions and their craft.
As spoken in Duisburg on Film, is in its accuracy as well as in their lustful Exaggeration to the verbal Ornament is still unique. Overwork was factored in, especially the audience. “I didn’t understand everything, but it was great,” describes Ruzicka in “Duisburg gloomy castle” as his desired reaction of an interested audience.
DISPLAY Matthias Dell, Simon Rothöhler:
Duisburg gloomy castle
Werner Ruzicka in conversation
criminals; 280 pages; 22,00 Euro
link to Amazon. In the case of Thalia order.
A Problem with your reproductive had the Duisburg rhetoric never. Over several decades Ruzicka has found time and again, young people, you have practiced only in the selection Committee, then in the Moderation of film discussions. This year, it was amazing to see how certain characters Voice repeated: A presenter takes your thoughts to a particular setting. The filmmakers don’t know what is required of him as a reaction and look helpless, then the presenter: “So the question of aesthetic responsibility.” to formulate
questions as questions is a specialty of the city of Duisburg, is rhetoric. In it is likely to be due to, among other things, but the Problem is that this kind of speaking with the “Proliferation” (Ruzicka) In individual circles of friends, establish relationships and seminars, it has spread from the city of Duisburg, Dell place, the “industry” has ignored over the years, the right-wing populist elite criticism can be dissimilar, always bräsiger.
the spirit is history in the making
The most important guarantee for the legacy of the Era Ruzicka should not be in this year therefore, the programme, the rather uninspired from the forum section of the Berlinale fed, but the already-mentioned interview tape. From film scholar Simon Roth oiler and the critic Matthias Dell, who also writes for SPIEGEL ONLINE, is in charge of, the small book is impressive, the benefits of Ruzicka’s erkundendem, target unbound Speak.
40 years, the Duisburg film week in Cinematheque in the Ruhr area/ Paul Hofmann 40 years, the Duisburg film week: filmmaker in purgatory
the structure of The film talks mirroring provides Roth oil-not so much questions, but delivers extremely knowledge, sketches of the West rich German Left as the building blocks, on the Ruzicka is based. A mosaic of left-wing intellectuals ‘ biographies, the sensitivities and conflict lines, is as interesting and productive for the Federal Republican intellectual history, most recently “The long summer of the theory” by Philipp Felsch about the Merve-Verlag is created.
That Ruzicka in the shorter, fact-oriented questions from Dell – for example, to the marginalisation of women in Duisburg or the big festival competition from the East, Doc.Leipzig – Taciturnity and carefree attitude does, of course, is also significant. Here, it is clear, what remains of this Talk, and thus also conveys to the Festival is open.
put into perspective the performance of Ruzicka? Not critical, because how could as a Variation on his desired reaction of the audience to say: I do not agree with everything, but it was great.
