When the two play together, it will be the case. Adele Neuhauser as the outwardly tough-looking, but inwardly vulnerable Bibi Fellner and Harald Krassnitzer as Moritz Eisner, Bärchentyp with a protector instinct.
author and Director Thomas Roth has them listed also for yesterday’s “crime scene: True lies” a couple of pretty sayings, which you bring with inimitable Viennese coloring of the voice to the Sound. If you can separate that bad between work and private life, asks: “A desperate young woman who has just lost their life partner – I mean, what do you expect?” And he responds with a dry “don’t Let them move in anyway, right back at you,” are the magnificent, some teasing does occur, of which the films live from Vienna. Added to this are magnificent shots of the lake Wolfgang, where a young woman in the car was found dead, a gun in the Hand with adhesive tape attached.
Because the nature of the death of the enlightened (Self-)murder of a former Austrian defense Minister Karl Lütgendorf, remembers Fellner and Eisner, suddenly, in the middle of it in a System of corruption and Weapons racket, in police circles. The Maria Digruber (Franziska Hackl), Director-General of Internal security calls on the Plan. From here the Director takes out to play with clichés: Like in spy movies Digruber and her colleague in a trench coat appear, and give to the commissioners or to your supervisor Ernst Rauter (Hubert Kramar) instructions, do not investigate further.
so this “crime scene” is a political, for the case of a bad result it is, in fact, and he is until today unexplained. In the Film, right at the end of a murder jealousy; however, it happens in a second. Why? The answer to that remains officially open. As in the real case. Or: Like in the real Vienna of the swamp.
see also:
cult Commissioner, Franz Hubert: “It goes without Staller”
criticism of the “crime scene” from Cologne: Less Drama, please.
